This will not attempt any shots of the phenomenon. Much has already been established
publications on and probably a lot of rise, because some groups of artists to this day delight, drives in a stupor or irritate ...
Years ago I wrote on the same high school with Grotowski, Theatre of the Eighth Day and Gardzienice. All of the mandatory reading and I read the book, Aldona Jawłowskiej knew almost by heart (!). It was not until many years later occurred to me to verify the theoretical knowledge and ... continue in his fascination with alternative theater today.
But not about the techniques of acting or working on the text layer. The expedition will
.
field studies and exploration.
the search for the authentic Polish theater space, the countryside, forests, mountains, lowland ... In which the dirt road at the bus stop you can meet random people (neighbors, strangers) as an extraordinary wealth of knowledge about man / heritage and background of constant inspiration for theater artists.
greatest achievements in this field has undoubtedly Centre for Theatre Practices Gardzienice . Since the beginning of its establishment theater was guided by a clear idea - intention of obtaining a new natural and creative environment. Abandoning the city and find new customers who could participate in the spectacle, and create it.
exploration of folk culture was a Gardzienice to artistic research expeditions:
... expedition is to be artistic practice, practice, theatrical distributed over the time measured in days and nights, and measured naprzestrzeń miles (...)
must have a preliminary script (...) In the scenario you have to be open and ready for immediate response to any new events. (...)
expedition is a creative improvisation can be a work of art ...
/ W.Staniewski-founder and main leader of the group /
expedition were held initially on foot, fleet. Lasting from several days-a few weeks. Traveled to nearby villages and remote hamlets. He performed the band exploring the area, recognized for natives, invited them to a common play area (holiday village), and supper. Listened to stories of old, forgotten songs were collected and were taught to play the last village musicians. With time, the expedition have grown over time and space-artists began to travel abroad, often in the company of scientists who worked on the research etnologicznymi space ...
These expeditions, although it was mainly an artistic goal also took place in the context of scientific research. Invaluable material for scholars of folk culture. Practice here was inspired by a theatrical terrain.
In these artistic wanderers important role played by the Assembly which were usually the culmination of Expeditions. It was a spontaneous meeting with fellow human beings in the village, living in a traditional environment. It was made up in the Assemblies of crudo-theater in an authentic space in which heroes were ordinary people-the audience, where he took a meeting / celebration unusual. Where there was division: the actor-spectator, where the singing and live music were all amazing creators of the show. True Theatre!
* You Tube and you can view the program from the "Anthropology theater, "which was carried out at the VI International Collision Theatre in Klodzko [1997], and fragments of the show and workshop performance of" Carmina Burana "Gardzienice. The whole with comments Wlodzimierz Staniewski and Irenaeus Guszpita.
particularly recommend:
OVO of Wroclaw, I had the opportunity to meet, when they were yet still informal group of music. Today called OVO Foundation for Culture and Education. This is not strictly a theater group, however, coaches have extensive experience with alternative theaters. OVO is often the background for various performances. But it is a specific type of background that pulls the strings of the soul right up to the viscera. It is impossible to remain indifferent to such a landscape ...
About me write this:
Our mission is to familiarize the people of today those elements of tradition,
that contribute to their personal development and strengthen social bonds.
Our main - though not the only - tool is to work on voice and singing in a group.
Exploring the hidden possibilities of the human voice, vocal experiments, dialogiczność in musical polyphony, synergy singing group.
We believe that discovering your own voice can be a good way to inspect each
and develop their natural potential, which we were born and which are not always aware.
We draw from the tradition, creatively and consciously - we're not conservatives.
Outlying we are religious and political ideologies.
* photos are taken from the official website of the group
In their work based the primarily on field studies and cooperation with etnomuzykologami.
Group activities are focused mainly on work on the issue of voice-Lab: The Search for the Voice, The Voice Paths.
It turns out that śpiewokrzyk can help us to be released in the original nature, to return to the roots and wake up in the Wild. This is the most natural form of expression for our culture. It is an archaic relic of our heritage.
White is not singing educated in schools of music, it can only learn from rural singers in real terms, or at workshops organized min. by groups such as OVO.
Anyway, these songs are not listening; in these songs you must attend:
The Polish landscape is a lot of interesting and valuable groups that make up more than just Theatre.
For the greatest inspiration is a very, domestic tradition which is as exotic as the culture Far East.
can not forget about groups, such as: Sejny, Węgajty, Nowicy Society of Friends, or about the Houses of Dance. In its activities are mainly based on contacts with the surviving folk artists from whom they learn tunes, play instruments and who are the direct inspiration for art.
There are many regional events and fantastic group of people. Rural
Theatres and Field Projects. Where can I listen / learn traditional dances and songs.
Where is closer to art and culture- but this did not find an authenticity and secondary pop culture ...
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